Less Than Jake had been on the slide as far as studio albums went, but that was down to record label pressure. They ended up being released from Sire Records and set up their own label to release their newest CD, ‘GNV FLA’, which was something of a return to form. They’ll never top ‘Hello Rockview’ but as long as they release solid music I’ll keep going to see them (13 times and counting now).
The Foxboro Hot Tubs album, ‘Stop Drop and Roll!!!’ was a mystery. Green Day don’t bash albums out every 18 months (it was 4 years between Warning and American Idiot and it’s been over 4 years since then) so I’d almost forgotten about the band I listened to fairly continuously between the ages of 14 and 18. Just messing around drunk in the studio, the result is something that should have been released without the anonymity of an alias. This is a mighty fine homage to 60s rock and roll and it only bodes well for the new GD album which is due (at long last) next year.
The Living End and Butch Walker released expectedly good albums, despite both changing musical styles to do so. The Living End went proper hard rock, riffy and hooky, after Chris Cheney left the band citing lack of enthusiasm towards music. He wrote ‘How Do We Know’ and rediscovered his love for pushing the creative boundaries, which led to a whole album of songs that have sent the band in a bizarre 70s heavy metal direction. The only bad thing is that I had to import the CD from Australia, because no record label in the UK wants anything to do with TLE for some reason. Walker’s new CD, ‘Sycamore Meadows’, was also made after a troubled time during which his house burned down, resulting in the loss of all the songs he’d ever written. Turning this enormous negative into a positive, he created a beautiful album that turned me into a bigger fan of softer, acoustic music generally.
Other mentionable albums that I’ve enjoyed have been the by the King Blues, Death Cab for Cutie (which surprised me) and the weird as hell ‘A Band In Hope’ by the Matches.
As much as these new albums I’ve gotten into music that has been acclaimed for years but I’d never bothered listening to before, particularly stuff from the 80s, a decade I was fairly certain had nothing going for it in terms of musical legacy, save for Michael Jackson and Stray Cats. Happy to be proved wrong, I went out and bought albums by the Pretenders and Joe Jackson. Their new wave style isn’t something I would’ve embraced a couple of years ago but it’s fun music and that was enough for me. Plus I could play it fucking loud without my parents whinging.
I also started listening to Muse. I didn’t, and still don’t, like Black Holes and Revelations as it’s an overblown record that just comes out sounding messy. But Absolution is, in my opinion, a masterpiece. It’s a CD that I have to listen to from beginning to end to get the full effect from. The songs are good on their own but they fit like a sexy musical puzzle when put together. The same goes for Queens of The Stone Age’s 2002 record ‘Songs For The Deaf’. Acclaimed at the time, there’s no reason for me not to have paid attention to it before but I didn’t and it’s only now that I appreciate it for what it is.
Even if I’m 5 years (or 25 years) behind the popular musical scene I will still get into this stuff eventually. There were probably CDs released this year that I will start enjoying come 2013.